Review: Hail Caesar!


In Hail Caesar! co-directors Joel and Ethan Coen lean fairly hard on silliness. In what amounts to a simultaneous spoof of, and tribute to the Studio Era of Hollywood, the Coens provide commendable optics of splendid cinematography and surefire editing. Their presentation of a 27-hour trajectory of a day-in-the-life of studio “fixer” Eddie Mannix (Josh […]

Review: Son of Saul


The Nazi’s weren’t content with the devastation of all their other combined horrors. They also devised a Sonderkommando squad consisting of Jews forced to perform the disposal of bodies and other deplorable tasks related to the executions. Robbing them of their only comfort–that of innocence–the concentration camp commanders granted those in the Sonderkommando meager extras […]

Best Films and Performances Snubbed By The Academy Awards


I concur with many of the eight films nominated for Oscar’s Best Film of the Year. In relative order of preference, Spotlight, Brooklyn, The Big Short, Mad Max: Fury Road, Bridge of Spies, and The Revenant are among my own selections of best films of the year. Since it was an especially good year for […]

Review: Anomalisa


OK, you want something really different, here you go. You don’t need to know this to enjoy it, but Anomalisa, one of the year’s most creative efforts, throws around Fregoli syndrome like water. Main character Michael Stone (David Thewlis), who’s some kind of retail business guru/writer (“May I Help You Help Them?”) checks into a […]

Review: The Hateful Eight


Sadly, we cannot undo the unconscionable acts propelled by racism and sexism throughout our history. A large part of fixing these problems is coming to grips with what actually occurred. Viscerally experiencing the shameful humiliations is a good start. In The Hateful Eight, Quentin Tarantino, never one to shy away from harsh realities, holds a […]

Review: Carol


Flooded with luminescence, Todd Hayne’s Carol is a rapturous example of what occurs when sumptuous cinematography and art direction meet superlative acting. Rooney Mara is absolutely devastating as Therese, a young aspiring photographer who takes on a job in a department store in the early 1950s. She meets the much older, more talkative and aristocrat-like […]

Review: The Big Short


Like all superb art about significant political events, The Big Short holds a mirror to human beings caught up in forces beyond their control. Highly entertaining and often comical, the film focuses on several maverick financial rocket scientists who go against the grain, trying to take the upper hand in the way they know best. […]

Review: Concussion


It took former NFL players to start killing themselves at an alarming rate for something to finally be done about it. Suffering from the deleterious effects of CTE (chronic traumatic encephalopathy) due to repetitive, jarring physical contact, some have shot themselves in the chest rather than the head in order to allow scientists to autopsy […]

Review: The Danish Girl


Alicia Vikander (Ex-Machina) continues her prolific year as a very impressive actress and Eddie Redmayne follows up his Oscar-winning role in The Theory of Everything with The Danish Girl. Redmayne plays Einar Wegener, a landscape artist in 1926 Copenhagen, who went on to become one of the first recipients of transgender surgery. Redmayne, like the […]

Review: James White


The gut-wrenching, unflinching James White, the inaugural film by Josh Mond, brazenly pulls onto your jacket’s lapels with a sharp array of tight closeup shots and equally closeup feelings. In actor Christopher Abbott, Mond (producer of the excellent Martha Marcy May Marlene) has found a wonder of nature. They provide a character that utterly sticks […]