Review: Embrace the Serpent


Forget Apocalypse Now. Toss aside Conrad’s venerated Heart of Darkness. When it comes to obtaining a vivid realization of the essence of Amazonian culture, check out Ciro Guerra’s amazing Embrace of the Serpent. The stunningly shot black-and-white Colombian Oscar nominee frames two separate interactions, 40 years apart, between a pair of white explorers and an […]

Review: Everybody Wants Some!


Everybody Wants Some!! is Richard Linklater’s most deceptive film. On its surface it is light as a feather but hang out with it for its 100-minute (and far too short!) length and its 11 unique characters leave an indelible impression. Linklater, the director of numerous classics (Before Midnight, Boyhood) is also adroit at the offbeat […]

Review: Miles Ahead


Unfortunately Don Cheadle, despite displaying savvy acting chops in playing the ever irascible Miles Davis, does a disservice to one of the 20th century’s leading jazz musicians. In Miles Ahead, which Cheadle directed and co-wrote, unmoored diversions plague what amounts to more of a made-up buddy/heist picture than a serious look at a complex man. In […]

Review: Demolition


It is all the harder to swallow the premise of this fanciful film when it starts out with its antihero (Jake Gyllenhaal) writing the first of a series of lengthy personal missives to the customer service department of a vending company that cheated him out of $1.25. This in the emergency room of a hospital […]

Review: Hello, My Name Is Doris


Poised to simultaneously mock and admire an eccentric but lovable fuddy-duddy (Sally Field), Hello, My Name Is Doris succeeds in creating a character who sticks to the bones. Marred by a sluggish start and more than a sprinkling of boilerplate sit-com plot strokes, the film succeeds in presenting a 60-something nonconformist who often startles the […]

Review: The Witch


Wearing its art film standing as a badge of honor, The Witch succeeds in thumbing its nose at the conventional horror genre. Replete with oblique period dialogue and actors often seemingly bent on delivering lines in a manner to further obscure comprehension rather than clarify it, The Witch isn’t an easy go. What makes it […]

Review: Deadpool


Ryan Reynolds is Marvel Comics’ most unconventional anti-hero, DEADPOOL.

Photo Credit: Joe Lederer

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Deadpool throws so much snark and bluster against the wall that much of it sticks. If you are willing to overlook all the misses, there’s a good time to be had here. It’s mostly refreshing to encounter an R-rated Marvel celebration and takedown of a character who is a perpetually ranting lout. Sure, the film […]

Review: Hail Caesar!


In Hail Caesar! co-directors Joel and Ethan Coen lean fairly hard on silliness. In what amounts to a simultaneous spoof of, and tribute to the Studio Era of Hollywood, the Coens provide commendable optics of splendid cinematography and surefire editing. Their presentation of a 27-hour trajectory of a day-in-the-life of studio “fixer” Eddie Mannix (Josh […]

Review: Son of Saul


The Nazi’s weren’t content with the devastation of all their other combined horrors. They also devised a Sonderkommando squad consisting of Jews forced to perform the disposal of bodies and other deplorable tasks related to the executions. Robbing them of their only comfort–that of innocence–the concentration camp commanders granted those in the Sonderkommando meager extras […]

Review: Anomalisa


OK, you want something really different, here you go. You don’t need to know this to enjoy it, but Anomalisa, one of the year’s most creative efforts, throws around Fregoli syndrome like water. Main character Michael Stone (David Thewlis), who’s some kind of retail business guru/writer (“May I Help You Help Them?”) checks into a […]