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    Review: Papa: Hemingway In Cuba

    Friday, April 29, 2016

    Is there any doubt Ernest Hemingway would have deplored the gross sentimentality displayed in Papa: Hemingway in Cuba? Short of being merely misguided, this sloppily mounted biopic of the gifted writer in 1959 Havana commits the even greater sin of not seeming to care about its subject. The first film shot in Cuba since that […]

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    Interview: Jordan Peele–Keanu

    Friday, April 29, 2016

    Jordan Peele and Keegan-Michael Key have been a comedy writing/ performing pair since their work together in the early 2000s. They honed their distinct brand of comedy  during their tenure at MADtv . In 2012, with the launch of their eponymous sketch show, Key and Peele’s names became permanently associated with writing and performing  brilliant […]

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    Review: Embrace the Serpent

    Wednesday, April 20, 2016

    Forget Apocalypse Now. Toss aside Conrad’s venerated Heart of Darkness. When it comes to obtaining a vivid realization of the essence of Amazonian culture, check out Ciro Guerra’s amazing Embrace of the Serpent. The stunningly shot black-and-white Colombian Oscar nominee frames two separate interactions, 40 years apart, between a pair of white explorers and an […]

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  • EverybodyWantsSome

    Review: Everybody Wants Some!

    Wednesday, April 20, 2016

    Everybody Wants Some!! is Richard Linklater’s most deceptive film. On its surface it is light as a feather but hang out with it for its 100-minute (and far too short!) length and its 11 unique characters leave an indelible impression. Linklater, the director of numerous classics (Before Midnight, Boyhood) is also adroit at the offbeat […]

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    Review: Miles Ahead

    Wednesday, April 20, 2016

    Unfortunately Don Cheadle, despite displaying savvy acting chops in playing the ever irascible Miles Davis, does a disservice to one of the 20th century’s leading jazz musicians. In Miles Ahead, which Cheadle directed and co-wrote, unmoored diversions plague what amounts to more of a made-up buddy/heist picture than a serious look at a complex man. In […]

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    Review: Demolition

    Sunday, April 10, 2016

    It is all the harder to swallow the premise of this fanciful film when it starts out with its antihero (Jake Gyllenhaal) writing the first of a series of lengthy personal missives to the customer service department of a vending company that cheated him out of $1.25. This in the emergency room of a hospital […]

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    Review: Hello, My Name Is Doris

    Friday, March 25, 2016

    Poised to simultaneously mock and admire an eccentric but lovable fuddy-duddy (Sally Field), Hello, My Name Is Doris succeeds in creating a character who sticks to the bones. Marred by a sluggish start and more than a sprinkling of boilerplate sit-com plot strokes, the film succeeds in presenting a 60-something nonconformist who often startles the […]

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    Review: The Witch

    Monday, February 22, 2016

    Wearing its art film standing as a badge of honor, The Witch succeeds in thumbing its nose at the conventional horror genre. Replete with oblique period dialogue and actors often seemingly bent on delivering lines in a manner to further obscure comprehension rather than clarify it, The Witch isn’t an easy go. What makes it […]

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  • DEADPOOL

Ryan Reynolds is Marvel Comics’ most unconventional anti-hero, DEADPOOL.

Photo Credit: Joe Lederer

TM & © 2015 Marvel & Subs.  TM and © 2015 Twentieth Century Fox Film Corporation.  All rights reserved.  Not for sale or duplication.

    Review: Deadpool

    Saturday, February 13, 2016

    Deadpool throws so much snark and bluster against the wall that much of it sticks. If you are willing to overlook all the misses, there’s a good time to be had here. It’s mostly refreshing to encounter an R-rated Marvel celebration and takedown of a character who is a perpetually ranting lout. Sure, the film […]

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    Review: Hail Caesar!

    Monday, February 8, 2016

    In Hail Caesar! co-directors Joel and Ethan Coen lean fairly hard on silliness. In what amounts to a simultaneous spoof of, and tribute to the Studio Era of Hollywood, the Coens provide commendable optics of splendid cinematography and surefire editing. Their presentation of a 27-hour trajectory of a day-in-the-life of studio “fixer” Eddie Mannix (Josh […]

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Recent Articles

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Feb
17

Review: Kingsman

Director Matthew Vaughan (Kick-Ass, Layer Cake) sends his fetish for over-the-top chuckles and mayhem into an orbit of mostly unfunny inanity in the spy-flick send-up Kingsman: The Secret Service. Colin Firth, typically prim and proper and even more properly dressed, makes a valiant attempt to save the material from the abject failure it might have […]

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leviathan
Feb
13

Review: Leviathan

It’s no wonder Kolya (a memorable Alexey Serebryakov), the main character of Leviathan, swigs vodka like it’s water. After witnessing an arbitrary and stiff, motor-mouthed reading of a local court ruling against him, it is no wonder an individual like Kolya comes to feel isolated and utterly powerless. It is not just that the insolent, […]

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FIFTY SHADES OF GREY
Feb
13

Review: 50 Shades of Grey

Dakota Johnson is the best thing about Fifty Shades of Grey yet for all her acting chops here, she doesn’t hold a candle to her mom, Melanie Griffith, in, say, the zany, intense Something Wild. And if you’re trying to get a grip on this “dominant/submissive” thing, this film comes up squeaky clean (and half […]

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Feb
6

A Dance Of A Challenge: Ballet 422 Review

The lights dim, the audience quiets, the curtains lift, and an ensemble of strong, graceful men and women move through the air about the once empty stage in a traditional performance by the New York City Ballet Company. Ballet 422 takes its audience through the theatre wings and into the studio to show the step […]

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Feb
5

Review: Jupiter Ascending

Time is the most precious commodity in the universe, says Kalique (Tuppence Middleton) of the moderately bizarre yet pompously predictable House of Abrasax family, rulers of the world if you will. Ironically, the notion of time–as in wasted time–kept occurring during the screening of this latest offering from Andy and Lana Wachowski, filmmakers once responsible […]

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followers
Feb
4

PFM Sundance – Interview With Tim Marshall (Followers)

Originally from Melbourne, Australia, Tim Marshall is a filmmaker who wrote, directed, and edited the short film, Followers. The film tells the story of Lynn, an elderly woman, who feels terribly lonely after her husband’s recent death and finds solace in an apparition of Jesus on a young gay man’s swimming trunks at her adult swimming […]

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saturday
Jan
30

Sundance Reviews: Saturday

On April 15th 1989, thousands of Liverpool supporters traveled to Hillsborough Stadium for what was described as “a fine day for football”, but 96 never came home. Too many fans entered the same sections of the stadium, causing crushing and overcrowding.  The event remains infamous to this day.  However, Saturday, directed by Mike Forshaw, does not follow […]

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thesunlikeabigdarkanimal
Jan
30

Sundance Reviews: The Sun Like a Big Dark Animal

Inspired by the poetry of Alejandra Pizarnik, The Sun Like a Big Dark Animal is an animated short that asks the question, “What does it mean to be in love?”  It tells a story of a machine falling in love with a woman, and having that love torn away. The background music has a soothing […]

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mommy
Jan
30

Review: Mommy

French Canadian wunderkind Xavier Dolan (he made and starred in I Killed My Mother at 19) seriously gets in your face with the extravagantly jarring Mommy. The brutal arguments between tantalizing, violent-prone, just-released-from-juvenile-detention, ADHD 15-year-old Steve (Antoine-Olivier Platt) and his tough yet unconditionally compassionate single mom, Diane (a great Anne Dorval) have to be seen […]

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kevin-costner-jillian-estell-black-or-white
Jan
30

Review: Black or White

Director and screenwriter Mike Binder will be called on the carpet by the gripe-happy protectors of the politically correct. He’ll be accused of tripping over stereotypes as he presents the story of a custody battle over a racially mixed seven-year-old, Eloise. Despite being a little obvious around the edges, Black or White essentially presents a […]

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Philadelphia Film Festival 2015