• the interview 2

    Editorial: What Sony’s Decision to Pull ‘The Interview’ Means for the Film Industry

    Thursday, December 18, 2014

    Seth Rogen and James Franco have made their careers out of raunchy comedy. In 2013, the two comedians released This Is the End, a tongue-in-cheek, self-referential, and blatantly offensive R-rated comedy. Critics and audiences loved it, while a vocal minority accused it of being disgustingly sexist. I haven’t seen This Is the End, so I […]

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  • craig ferguson 2

    Craig Ferguson: A Late Night Host like No Other

    Thursday, December 18, 2014

    The Late Late Show may have struggled to break into the mainstream and never reached the popularity level of  it’s Letterman lead in, but  in his ten years as host, Craig Ferguson has built a core audience and fanbase that more often than not tune in because of Craig himself, as opposed to the guests […]

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  • the hobbit 2

    Review:The Hobbit: The Battle of the Five Armies

    Wednesday, December 17, 2014

    Gather round kids, it’s time for another unnecessary sequel, because The Hobbit: The battle of the Five Armies is here. As if turning one book into a trilogy wasn’t bad enough, when asked if this would be the end of the Middle-Earth saga, Peter Jackson replied, “It doesn’t have to be.” One can only hope […]

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  • top-five

    Review: Top Five

    Friday, December 12, 2014

    A down in the doldrums Andre Allen (Chris Rock) makes a serious film (“Uprize!”) about a Haitian slave rebellion. He intends to deflect the lingering stereotype associated with years of making dumb “Hammy The Bear” movies, in which he actually wears a bear suit. In the best tradition of art imitating life, Top Five, also […]

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  • wild

    Review: Wild

    Friday, December 12, 2014

    Reese Witherspoon, adeptly portraying Cheryl Strayed, author of the 2012 memoir of redemption, Wild, often seems distractingly preoccupied with her backpack. Scripted by English novelist Nick Hornby, and directed by Marc Vallee (Dallas Buyers Club), the movie itself too often seems satisfied with rather meek surface things at the expense of going deeper. Witherspoon is […]

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Nov
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Review: Legend of Korra “Enemy at the Gates”

“Enemy at the Gates” finally shows Korra ready to resume her Avatar duties. Rather than returning to Republic City to see her family and friends, she heads straight to Zaofu to help stabilize the tumultuous situation between Su and Kuvira. Even after Su asks her to fight, Korra maintains that she would rather try and […]

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Nov
1

Review: Art & Craft Explores a Hermit and His Passion

Art & Craft opens on a quiet, bald man. He’s entering an arts & crafts store to pick up some paper, a few brushes and other miscellaneous tools any artist would need. However, Mark A. Landis is not just any artist. He is the greatest forger of all time.  For more than thirty years, Landis […]

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Nov
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Review: Horns Is About As Corny As It Gets

Daniel Radcliffe plays Ignatius Perrish, a man (though audiences will have trouble seeing him as anything other than Harry Potter) who literally becomes the devil and brings out the devil in everyone he meets, all by the unbreakable power of two awkward-looking horns—hence the title. Aside from a cute opening and corny phrases like “Are […]

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Oct
31

PFF23 Review: Love and Terror on the Howling Plains of Nowhere

Chadron, Nebraska has a solo traffic light which is the only one in three counties. The nearest mall is two hours away. It couldn’t be much further away from Lincoln and Omaha. Its population of 5600 are the quirky types you’d expect in an isolated prairie town. Dave Janetta’s Love and Terror on the Howling […]

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Open Road & Bold Films' Presents The New York Premiere of "NIGHTCRAWLER"
Oct
31

Interview: Nightcrawler writer/director Dan Gilroy

Cinedork: So this is the first time you’ve directed and I just wanted to congratulate you on the success it’s had so far and your recent Gotham awards nomination. What was it like directing for the first time after primarily working as a writer? Dan Gilroy:  Thank you, it’s been a great response so far, […]

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Oct
31

Review Haiku: The Duke of Burgundy

A haiku: Sadomasochism, Two women love butterflies: All too civilized. Send to Kindle

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Oct
31

Review: The Guest

Go no further than The Guest to satisfy your Halloween movie urge. Conjuring up memories of 1980s tongue-in-cheek, winking and slashing classics, The Guest boasts a smart, fascinating Dan Stevens (Downton Abbey) as a returning soldier who makes an unexpected house call to the parents of a comrade who died in action. The picture of […]

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Oct
31

Review: The Tale of Princess Kaguya

The Tale of Princess Kaguya, the latest film from Studio Ghibli, is based on the Japanese folktale “The Old Bamboo Cutter.” The most impressive part of this movie is the subtle changes the animation undergoes to reflect the feelings of the characters. Every frame of this film is like a beautiful painting straight from feudal […]

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Oct
30

Review: Nightcrawler

Lou Bloom is a sick pup. That he has no clue of his particularly eerie insularity makes him all the more entertaining. And scary. In a performance which is particularly outstanding, Jake Gyllenhaal gives us a Lou who is bent on making it in the big world out there–in this case, Los Angeles, and specifically, […]

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Oct
29

Review: The Mule

Based on true events, Tony Mahony’s comedic thriller, The Mule, features co-director Angus Sampson in the role of working class fool, Ray Jenkins: a nice, innocent, and naïve guy, living in a small neighborhood in 1983 Australia with his protective parents. He is forced out of his comfort zone when his childhood friend, Gavin (Leigh […]

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Oct
24

Review: Goodbye to Language 3D

Jean-Luc Godard on several occasions in his new film, Goodbye to Languge 3-D, places two images atop each other. Close one eye, you’ll see one image; close the other, a different image. Do neither and you’ll get a headache. Small price to pay for the experience of indulging the French master and allowing him to […]

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Oct
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Review: 52 Tuesdays

The Australian drama 52 Tuesdays, directed by Sophie Hyde, follows 16 year old Billie as she struggles to adjust to her mother’s gender transition. When Billie’s contact with her mother is limited to Tuesdays after school and she is forced to live with her father, she undergoes her own transition into womanhood through unusual sexual […]

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