• maxresdefault

    Review: Vacation

    Wednesday, July 29, 2015

    There’s the “hot spring” that turns out to be raw sewage. Add a ravishing female sports car driver who pulls up next to Rusty Griswold (Ed Helms) and flirts herself all the way to a grotesque highway death. Then there’s the young brother (Steele Stebbins) who torments his far more delicate older brother (Skylar Grisondo) […]

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    Review: Southpaw

    Friday, July 24, 2015

    At no time will you mistake Southpaw for Rocky. Forget Raging Bull. It’s certainly no Nightcrawler, which contained a masterful Jake Gyllenhaal. Southpaw confounds, gives occasional reason for praise one minute, then slugs itself in the foot just as quickly. Gyllenhaal’s duke-it-out, hardscrabble performance here is the reason to see this movie. However, you’ll want […]

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    Review: Trainwreck

    Thursday, July 16, 2015

    Rip-roaringly, outrageously funny, then in its final turns predictably conventional, the Judd Apatow-directed Trainwreck presents the one and only Amy Schumer. Both the film’s lead actor and its writer, Schumer portrays a character, Amy Townsend, who takes the words of her rough-hewn dad in the film’s opening scene, and boldly personifies them. “Monogamy isn’t realistic,” […]

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    Review: Amy

    Friday, July 10, 2015

    Director Asif Kapadia took what was the blessing of Amy Winehouse’s family and record company and then relentlessly actually made the film that needed to be made on the life of Amy Winehouse. His biopic wisely throws out any political correctness and eschews a safe approach for an ultimately honest one. The results offer a […]

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    Review: The Overnight

    Sunday, June 28, 2015

    Jason Schwartzman, fresh off a relentlessly acerbic performance as a misanthrope writer in Listen Up Philip goes intense again in The Overnight. Similarly, it’s not his fault this film about would-be swingers comes up limp. Schwartzman goes into overdrive with a gushing likability this time that is practically the flip side of his rotten-egg personality […]

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Feb
27

Review: The Last Five Years

The intermittently uplifting yet just as often pompous The Last Five Years contains hardly any spoken dialogue. Pleasantly containing several songs of depth and wit, the film struggles with the thinnest of storylines and its too-pleased-with-itself structure. Anna Kendrick, who is very good, presents her character Cathy’s story backwards from the film’s end, while Jeremy […]

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Feb
23

Review: Timbuktu

A woman vehemently refuses to put on gloves (recently required) while selling fish in an outdoor market. A group of young men play fake soccer (recently banned) as they run around with an imaginary soccer ball. A coed group of friends risk playing live music (also recently banned) despite a potentially stringent penalty. The scene? […]

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Feb
17

Review: Kingsman

Director Matthew Vaughan (Kick-Ass, Layer Cake) sends his fetish for over-the-top chuckles and mayhem into an orbit of mostly unfunny inanity in the spy-flick send-up Kingsman: The Secret Service. Colin Firth, typically prim and proper and even more properly dressed, makes a valiant attempt to save the material from the abject failure it might have […]

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Feb
13

Review: Leviathan

It’s no wonder Kolya (a memorable Alexey Serebryakov), the main character of Leviathan, swigs vodka like it’s water. After witnessing an arbitrary and stiff, motor-mouthed reading of a local court ruling against him, it is no wonder an individual like Kolya comes to feel isolated and utterly powerless. It is not just that the insolent, […]

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Feb
13

Review: 50 Shades of Grey

Dakota Johnson is the best thing about Fifty Shades of Grey yet for all her acting chops here, she doesn’t hold a candle to her mom, Melanie Griffith, in, say, the zany, intense Something Wild. And if you’re trying to get a grip on this “dominant/submissive” thing, this film comes up squeaky clean (and half […]

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Feb
6

A Dance Of A Challenge: Ballet 422 Review

The lights dim, the audience quiets, the curtains lift, and an ensemble of strong, graceful men and women move through the air about the once empty stage in a traditional performance by the New York City Ballet Company. Ballet 422 takes its audience through the theatre wings and into the studio to show the step […]

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Feb
5

Review: Jupiter Ascending

Time is the most precious commodity in the universe, says Kalique (Tuppence Middleton) of the moderately bizarre yet pompously predictable House of Abrasax family, rulers of the world if you will. Ironically, the notion of time–as in wasted time–kept occurring during the screening of this latest offering from Andy and Lana Wachowski, filmmakers once responsible […]

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followers
Feb
4

PFM Sundance – Interview With Tim Marshall (Followers)

Originally from Melbourne, Australia, Tim Marshall is a filmmaker who wrote, directed, and edited the short film, Followers. The film tells the story of Lynn, an elderly woman, who feels terribly lonely after her husband’s recent death and finds solace in an apparition of Jesus on a young gay man’s swimming trunks at her adult swimming […]

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saturday
Jan
30

Sundance Reviews: Saturday

On April 15th 1989, thousands of Liverpool supporters traveled to Hillsborough Stadium for what was described as “a fine day for football”, but 96 never came home. Too many fans entered the same sections of the stadium, causing crushing and overcrowding.  The event remains infamous to this day.  However, Saturday, directed by Mike Forshaw, does not follow […]

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Jan
30

Sundance Reviews: The Sun Like a Big Dark Animal

Inspired by the poetry of Alejandra Pizarnik, The Sun Like a Big Dark Animal is an animated short that asks the question, “What does it mean to be in love?”  It tells a story of a machine falling in love with a woman, and having that love torn away. The background music has a soothing […]

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Jan
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Review: Mommy

French Canadian wunderkind Xavier Dolan (he made and starred in I Killed My Mother at 19) seriously gets in your face with the extravagantly jarring Mommy. The brutal arguments between tantalizing, violent-prone, just-released-from-juvenile-detention, ADHD 15-year-old Steve (Antoine-Olivier Platt) and his tough yet unconditionally compassionate single mom, Diane (a great Anne Dorval) have to be seen […]

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Jan
30

Review: Black or White

Director and screenwriter Mike Binder will be called on the carpet by the gripe-happy protectors of the politically correct. He’ll be accused of tripping over stereotypes as he presents the story of a custody battle over a racially mixed seven-year-old, Eloise. Despite being a little obvious around the edges, Black or White essentially presents a […]

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